Features

Articles, how-to’s, opinion and tips and tricks in the self-publishing arena

Do Self-Publishing Services Take Advantage of Writers?

One of the major criticisms of self-publishing is that self-publishing services take advantage of authors – promising them a quick route to success that is wholly unrealistic. I’ve argued that a lot of this falls on the authors themselves, not on the subsidy service. Authors have to do some research on costs and what can realistically be achieved through self-publishing. This came to light in a recent comment on SPR’s AuthorHouse review. A writer said he poured his limited savings into his AuthorHouse book and received little in return. The commenter – who goes by “Feeling Cheated” – said:[…]

2011-10-08T20:40:29+02:00July 2nd, 2009|Categories: Features, Lead Story|

Rejection…A Pain in the What?

Rejection, a writer’s fate. Whether impecunious and unpublished or Pulitzer-prize winning and flush, the encounter is inescapable. Unless the writer is a “fulltime” masochist (“part-time masochists” are hereby exempted) the meeting is rarely stumbled upon or bumped into. Rather it’s a consequence traceable to the writer’s own exploits. It comes after months of research, followed by years of writing and rewriting. It comes when the pandemic self-doubt that is manifestly rampant in the writer’s head during the writing process, suddenly peters out, shape-shifts, and re-emerges in the form of unrepressed self-esteem. This cryptic and schizophrenic phenomenon occurs in syncopated climax […]

2011-10-08T20:40:47+02:00July 1st, 2009|Categories: Features|

A Question of Ethics

Regarding the review of Bonnie Kozek’s Threshold, I had this email exchange with J.M. Reep that I’m printing here.

JMR: I’m wondering why Bonnie Kozek’s book was reviewed for SPR given the following facts:

1. Ms. Kozek is a contributor to the website.
2. Ms. Kozek is also a member of Backword Books, along with Henry Baum and Kristen Tsetsi, who are also contributors to SPR.
3. While there was a hyperlink to Backword Books at the end of the review, there was no mention in the review of Ms. Kozek’s status as a contributor at SPR, nor […]

2011-10-08T20:41:27+02:00June 25th, 2009|Categories: Features|

Is it Vanity?

The terms “vanity press” and “vanity publishing” used to mean that people who wrote books too poorly written to interest a “real” publisher would pay to have their own books printed and bound. The implication, of course, was that “real” publishers published “good” books and authors of “vanity” books were by definition failures who couldn’t write.

I dare you to call Herman Melville a failure. He paid to have Moby Dick published after New York publishers turned up their noses at his crude tale in favor of the fashionable novels written in England. Or call me a failure, and I’ll […]

2011-10-08T19:54:07+02:00June 18th, 2009|Categories: Features|

Finishing the Hat: A Writer's Pursuit of Loneliness

In 2005, the Naples-born sculptor, Giancarlo Neri, created a work entitled The Writer – a 30 foot tall table and chair made of wood and steel. Exhibited in the middle of a grassy field in London’s Hampstead Heath – as homage to the famed park’s associations with Keats and Coleridge – spectators interacted with the sculpture in a variety of ways. Some viewed it from a distance; others circled its perimeter. Some lay beneath it; others looped the massive legs on bicycle. Its grand scale and curious posturing dwarfed both viewer and nature. At length, the sculpture produced an unsettling […]

2011-10-08T19:00:41+02:00June 17th, 2009|Categories: Features|

Self-Publishing and Scholarship Don’t Mix Well

On the heels of his well-read and well-commented post, A Publishing Person Self-Publishes (seriously, read the entire discussion), Andrew Kent writes about the important issue that self-published non-fiction must be held to a much higher standard than fiction.

The readers and writers on this blog tend to produce works in fiction genres like mystery, romance, and general literature. My novel, which I self-published and talked about in an earlier post that generated a lively discussion, is a mystery novel.

Self-publishing fiction is entirely fine, in my opinion.

But when it comes to scholarly works, things change.

I work in scholarly […]

2011-10-08T19:00:55+02:00June 16th, 2009|Categories: Features|

The New Yorker's Strange Take on Creative Writing Programs

In The New Yorker’s current Summer Fiction issue (June 8 & 15, 2009), in an essay that is called “Can You Teach Creative Writing?” on the contents page and titled “Show or Tell: Should Creative Writing be Taught?,” on the page where it begins, the critic Louis Menand makes great claims for the general excellence of contemporary American fiction. His essay springs in part from, and is in part a review of, Mark McGurl’s The Program Era (Harvard, 2009). The resultant double-layered piling on of superlatives from a famous critic and quotes from a book published by a still […]

2011-10-08T19:01:25+02:00June 11th, 2009|Categories: Features|

Why We Should Embrace Self-Publishing

On the surface, self publishing sounds like a really bad idea.  Despite denials to the contrary, it seems that one of the biggest fears in the back of people’s minds is that of supply and demand.  With self publishing we have more and more books in the marketplace, but most people don’t seem to have very much time to read.  They are on the internet, playing video games, watching television, listening to music, running errands, working, eating, sleeping, possibly having sex occasionally since the species must go on.

But when are they having time to read?  It seems less and […]

2011-10-08T19:05:02+02:00June 5th, 2009|Categories: Features|
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