News from AWP
50 or so panels a day. I was on one of them – “To Publish or Self-Publish” – with Ivory Madison, CEO of Red Room, Daniel Will Harris, a book designer, and author Christopher Meeks, who put the panel together. Read his […]
50 or so panels a day. I was on one of them – “To Publish or Self-Publish” – with Ivory Madison, CEO of Red Room, Daniel Will Harris, a book designer, and author Christopher Meeks, who put the panel together. Read his […]
[…]What does it take to qualify? Please read carefully:
1. Your ebook must be accepted
From Slate:
Here’s Google’s how-to:
[…]
When promoting your own book, the pain of promotion isn’t necessarily the amount of time it takes, but how it actually feels to be the salesman of your own work. It’s what makes writing a query letter so hard – not just condensing a book into a few words, but trying to be an advocate without sounding like a used car salesman. One of the problems you’ll see in self-published books is hyperbole on the back cover copy. It’s important to realize that self-published books and traditionally published books aren’t equal in this regard. So if a writer calls his/her […]
The novel is similar to Cormac McCarthy’s The Road, in the sense that there is no detailed explanation about how the crisis occurred – it is centered mostly around how people survive the crisis. One of the haunting things about The Road is not understanding just why the apocalypse has […]
Read an E-book Week is here. Some info:
[…]History – Read an E-Book Week was first registered with Chase’s Calendar of Events in 2004. Chase’s is a day by day directory of special days, weeks and months used by event planners or anyone looking for a reason to celebrate. By having the week officially recognized, e-book authors and publishers acquired a certain extra “legitimacy” during that week to promote the new technology of e-books. The public and media were initially wary of e-books and many doors were closed to promotion. With the week officially recognized by Chase’s, authors reported they
It’s always been my contention that for self-publishing really to enter the mainstream and be taken seriously as an avenue for all writers, it would have to gain popularity as a medium for literary fiction. That would lend it instant respect and credibility. After all, The Shack has sold two million copies and Still Alice has spent many weeks on the NY Times bestseller list – but still there are some of the same old arguments about self-publishing being a good or bad outlet.
Today there was a really interesting development where two-time winner of the Faulkner Award for fiction, […]