Review: The Outlandish and the Ego by O. Ryan Hussain

In these days of political turmoil and uncertain global peace, it can be hard to find a reason to laugh, but O. Ryan Hussain’s new novel, The Outlandish and the Ego, provides an uproarious release. In a new genre of literature the author calls “political erotica,” this novel discusses serious topics and trends in the world…without ever taking itself too seriously.

The book is cleanly divided between the sarcastic and the surreal, beginning with the Aide, a ruthless and ambitious wretch who has wriggled his way near the highest halls of power. In his endless bid to increase his own influence and value to a president on the path towards re-election, the Aide is willing to do nearly anything – legal or not – and doesn’t appear to show any shame in the process. The nameless nature of this character, as well as other figures on this side of the plot, is a subtle reminder to readers that this novel is intended to be a sardonic symbol, just like the Aide himself.

The other side of the plot is where things get truly bizarre, primarily due to Samuel and Roger, two seeming lunatics who are on a subterranean quest of their own. They are on the run from dangerous demon gnomes who want one thing – the solution to a dangerous riddle, the Signal. For the first half of the novel, these two plot lines seem like they could never cross, but with a Tom Robbins level of dexterity, Hussain combines the ridiculous and the impossible, with an hilarious outcome.

There is a good deal more social commentary related to the political experiences of the Aide, making this book a tongue-in-cheek takedown of the modern political system, including all of its backroom deals and corrupt puppeteers, as well as the ludicrous lengths some will go to secure and retain power. The erotic aspects of this piece of “political erotica” are amusing, but also powerful. Few authors focus on the sexual, gendered sides of political dealings, but Hussain takes careful aim at this basic human weakness and source of leverage.

The entire book is framed in the context of a few months leading up to a presidential election, and the intensity and insanity of the characters increases at a fever pitch that readers will surely recognize. Considering the most recent and upcoming elections in America’s fractured political system, the novel is a timely and much-needed release of tension, but also a stark warning. Hussain’s hyperbolic style makes the plot feel comical, but much of the extreme events are merely exaggerations of the political process in our very real world.

Clean and well-edited, this book hums with a smirking energy that makes it difficult to put down. The author also has an excellent ear for realistic dialogue, and understands political machinations enough to create compellingly recognizable characters. With the sharp tongue of Vonnegut and the surreal hilarity of Christopher Moore, Hussain delivers a highly amusing uppercut to authority, reminding readers that holding power may seem enviable, but the ridiculous rat race to get there may cost you everything.